The famous Canterbury Tales have long since been hailed as the single most important collection in English literature. However, what exactly does this collection consist of and who came up with such a great story. To begin with, it is the third of four original tales collected and written by the Canterbury family – Sir John Suckling and his wife Elizabeth Swynford. It tells the sad story of Swynford’s husband, Quilp whom she has just heard of getting executed for his role in suppressing a rebellion against King James I of England. His last moments before being guillened are what make this collection so gripping to readers.
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This first draft was typed by the couple while they were living in Paris in the eighteen hundreds. The couple had just received their commission to write the worksheets from King James I of England and this would have been around the time of his death. During this time, Swynford had also gained fame as an artist although her career took a much different turn as she began writing under a pen name in order to escape from the public eye. She also kept in touch with her father and some of her writings were printed in her father’s newspaper. These first few chapters comprise most of the worksheet which you can see in the exhibition of the above-mentioned book.
The second draft was typed before the Suckls were in their home in Canterbury. When the Suckls moved to London, they decided that the type of paper needed to be thicker and it therefore made its way into the final draft. The original copy included ninety-one different question worksheets. These questions were mostly based on geography and concerns about local farming and the environment. However, after these were edited, Swynford felt that there were too many irrelevant questions and that she could not include them any longer. However, this is when she met with problems.
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As she attempted to complete the worksheets she realized that there was something wrong with the formatting and that she should have made the changes whilst she was completing the first draft. In the end she only included fourteen worksheets, missing one which unfortunately never made it to the final draft. There is also one poem that does not make it into the work sheet for two reasons.
As previously stated, the first edition of Canterbury Tales was published in eighteen forty-eight by the Doubleday company. However, in order to meet the demands of the publishing industry which was expanding rapidly, many publishers began issuing their own editions of the tales which had been serialized in the Times. The first edition included thirty-two poems. The second edition included two further poems and contained, as well as the thirty-two poem, a note from Miss Sophia Dent who complained that her bad luck with horses had left her with nothing but bad luck in the house!
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In order to finish her novel, she decided to include a story based around a visit to the Dorset home of the fictional Abbot and Costello. Her first draft of the third edition included a Prologue and a Dedication, however, after finishing the book, she decided to include the prologue and dedicate it to her brother. As a result the work has received various facsimile revisions throughout its history. As it became apparent that the publisher was not interested in printing the work, she decided to commission illustrations instead. Two artists, Robert Blatchley and Will Steiger created illustrations to accompany the work that has become an enduring part of the work.
Blatchley’s illustrations did not appear to be as influential as the work of Steiger. In fact, it is uncertain whether he drew any of the paintings that have appeared on the Canterbury Tales covers. Some scholars argue that the paintings do not belong to him and were produced by a later artist. Regardless of which the artist was, his contribution to the Canterbury Tales is significant.
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The third edition of the story was issued in eighteen ninety-seven. It was not a success, and the printers lost interest in publishing it. However, the novel regained popularity in the twentieth century. It was made available again by several publishing houses, and a film version was made which featured John Boos as the title character.
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